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On 1 August 1598, "John Webster, l… His father, a carriage maker also named John Webster, married a blacksmith's daughter named Elizabeth Coates on 4 November 1577 and it is likely that Webster was born not long after in or near London. Sorry, your blog cannot share posts by email. The family lived in St. Sepulchre's parish. Within academic theology, few would question that assessment; beyond the universities and colleges, few have ever heard of him. His father, a carriage maker also named John Webster, married a blacksmith's daughter named Elizabeth Coates on 4 November 1577 and it is likely that Webster was born not long after in or near London. He had a distinguished career. 1619), a tragicomedy. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Birth, family background and education. There is no known portrait depicting Webster. Steve Holmes is Senior Lecturer in Theology at The University of St Andrews. John Webster: Birthdate: 1430: Birthplace: Syston, Devonshire, England: Death: circa 1459 (24-33) Syston, Devonshire, England Immediate Family: Son of John Webster, Esq and Elizabeth Webster Husband of Elizabeth Webster Father of William Webster of Syston Brother of George Webster; Alexander Webster and Elizabeth Webster. Webster was educated at the independent co-educational Bradford Grammar School and at the University of Cambridge. John Bainbridge Webster FRSE (1955–2016) was an English Anglican priest and theologian writing in the area of systematic, historical, and moral theology. It is an activity of the created intellect, judged, reconciled, redeemed, and sanctified through the works of the Son and the Spirit. [citation needed], Webster's drama was generally dismissed in the eighteenth and nineteenth centuries but many twentieth century critics and theatregoers have found The White Devil and The Duchess of Malfi to be brilliant plays of great poetic quality and dark themes.

[3] Webster married 17-year-old Sara Peniall on 18 March 1605 at St Mary's Church, Islington. Registered in England and Wales 5090917, Christian Today, International House, 24 Holborn Viaduct, London EC1A 2BN, Biden, Trump and the Great Evangelical Disaster, Trusting God is good, even when life isn't, Attendance at Church of England services continues to decline. Webster was born in London between 1578 and 1580, the son of John Webster (d. 1614/15). Webster has received a reputation for being the Elizabethan and Jacobean dramatist with the most unsparingly dark vision of human nature. Stay up to date with the latest Christian news! eval(ez_write_tag([[300,250],'christiantoday_com-box-3','ezslot_4',113,'0','0'])); An academic friend greeted the news of John Webster's death with a blog post beginning "I'll have to get out of the habit of referring to Webster as one of the greatest living theologians." The character of the duchess recalls the Victorian poet and essayist Algernon Charles Swinburne's comment in A Study of Shakespeare that in tragedies such as King Lear Shakespeare had shown such a bleak world as a foil or backdrop for virtuous heroines such as Ophelia and Imogen, so that their characterisation would not seem too incredible. Webster's use of a strong, virtuous woman as his central character was rare for his time and represents a deliberate reworking of some of the original historical event on which his play was based. Academic theology is one of the things that stands in repeated need of that transformation and renewal.eval(ez_write_tag([[300,250],'christiantoday_com-medrectangle-4','ezslot_2',150,'0','0'])); Transformed and renewed, academic theology is a powerful tool for the renewal of other things. It gives the church confidence in its own proclamation, language to name and redescribe reality, and a basis for its work. In 1624, he also co-wrote a topical play about a recent scandal, Keep the Widow Waking (with John Ford, Rowley and Dekker). At the time of his death, he was the Chair of Divinity at St. Mary's College, University of St Andrews, Scotland. His writing style was uncompromising, and far from accessible even to some specialists. Hughes Oliphant Old, American theologian, Died at 83.

Follow him on Twitter @SteveRHolmes. [2] On 1 August 1598, "John Webster, lately of the New Inn" was admitted to the Middle Temple, one of the Inns of Court; in view of the legal interests evident in his dramatic work, this may be the playwright. [7], † = Not published in the Beaumont and Fletcher folios. One explanation for this change is that only after the horrors of war in the early twentieth century, could their desperate protagonists be portrayed on stage again and understood. John was a leading member of a group of theologians who changed all that.eval(ez_write_tag([[728,90],'christiantoday_com-medrectangle-3','ezslot_1',156,'0','0'])); If his writing was uncompromisingly intellectual, it was also uncompromisingly Christian. Fifty years ago, that was uncomfortably close to being true. Webster wrote one more play on his own: The Devil's Law Case (c. 1617–c. Webster's life is obscure and the dates of his birth and death are not known. Born in Mansfield, England, on 20 June 1955, he was educated at the independent Bradford Grammar School and at the University of Cambridge. "John Webster also attended the school, though probably after Mulcaster's retirement in 1586", Julia Briggs, "Part I: John Webster Merchant Taylor and Citizen of London", "Echo & The Bunnymen - My White Devil Lyrics - MetroLyrics", Algernon Swinburne's The Age of Shakespeare, "John Webster", The Masque of the Inner Temple and Gray's Inn, Four Plays, or Moral Representations, in One, https://en.wikipedia.org/w/index.php?title=John_Webster&oldid=962620881, 17th-century English dramatists and playwrights, Short description is different from Wikidata, Articles with unsourced statements from January 2013, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WorldCat identifiers, Creative Commons Attribution-ShareAlike License, The short story 'A Christmas in Padua' in, Webster's line, "Cover her face; mine eyes dazzle: she died young", is used in the novel, The antagonist in Paul Johnston's 'The Death List' and 'The Soul Collector' mimics, This page was last edited on 15 June 2020, at 03:20. He also wrote a play called Guise, based on French history, of which little else is known as no text has survived.[6]. He was committed to hard intellectual work, and he made no apology for it. He was made a canon of Christchurch Cathedral, Oxford, and served on various Church of England committees when asked, but he never went looking for ecclesial honours. John was born in Mansfield, England . Swinburne describes such heroines as shining in the darkness. The last time I heard him give a presentation, a few weeks back, one of my PhD students passed me a note asking if I could explain what the title meant!
The two plays would thus have been very different in their original performances. His later plays were collaborative city comedies: Anything for a Quiet Life (c. 1621) co-written with Thomas Middleton and A Cure for a Cuckold (c. 1624) co-written with William Rowley. By 1602, Webster was working with teams of playwrights on history plays, most of which were never printed. 1612) and The Duchess of Malfi (c. 1612/13, published 1623) are generally regarded as the paramount 17th-century English tragedies apart from those of Shakespeare.. Little is known of Webster’s life. The Duchess of Malfi was performed in a controlled environment, with artificial lighting and musical interludes between acts, which allowed time, perhaps, for the audience to accept the otherwise strange rapidity with which the Duchess is able to have babies. This site uses cookies to improve your experience. His Appius and Virginia, probably written with Thomas Heywood, is of uncertain date. Their first child, John Webster III, was baptised at the parish of St Dunstan-in-the-West on 8 March 1606. John Webster 1955 - 2016 University of St Andrews.

Why should any reader of Christian Today be interested in his life, then?

A familiar voice over Northeast Ohio’s radio waves has died. John Webster (c. 1580 – c. 1632) was an English Jacobean dramatist best known for his tragedies The White Devil and The Duchess of Malfi, which are often regarded as masterpieces of the early 17th-century English stage. The task of the church is to see all things transformed and renewed through the preaching of the gospel. Webster's life is obscure and the dates of his birth and death are not known. To enjoy our website, you'll need to enable JavaScript in your web browser. An academic friend greeted the news of John Webster's death with a blog post beginning "I'll have to get out of the habit of referring to Webster as one of the greatest living theologians." The White Devil, a retelling of the intrigues involving Vittoria Accoramboni, an Italian woman assassinated at the age of 28, was a failure when staged at the Red Bull Theatre in 1612 (published the same year) being too unusual and intellectual for its audience. These included a tragedy Caesar's Fall (written with Michael Drayton, Thomas Dekker, Thomas Middleton and Anthony Munday) and a collaboration with Thomas Dekker Christmas Comes but Once a Year (1602). English-language academic theology too often began with an explanation of why traditional beliefs (the Creed, that sort of thing) could not possibly be true, and then constructed some pale imitation out of a passing intellectual fad. Although Webster’s bleak tragedies do feature a lot of death dealt out in various and lurid ways, both the man and his writings are more complex. John Webster's work matters because it was so uncompromisingly intellectual that it could not be dismissed. In contrast, The Duchess of Malfi was probably performed by the King's Men in the smaller, indoor Blackfriars Theatre, where it would have played to a better educated audience that might have appreciated it better.

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