the killing of a chinese bookie which version is better

in a sense this is cassavetes doing seventies noir, and it does share some of that movement's despairing fatalism, but he doesn't really care about genre, he cares about people, blowing up their facades so we can see the cracks and love them more for it. From the Chicago Reader (April 1, 1992). Before you realize it the slow pace is steadily hijacked by both Gazarra the brutally casual and honest aura surrounding the depiction of his club and the performers, absolutely no one seems to be acting. 2014 Movie Log: A Doug and Jane Production, Big Trouble Living & Dying As a King While Terminating Taxi Drivers in the Streets of Hate 2000: Cyborg Without a Squad, Every Film I Watched During The Big 'Rona (and the rest of 2020 tbh), Jonathan Rosenbaum's "Essential Cinema" (1970s), List of countries by number of bolded films, List of directors by number of bolded films, Best movie of the 70's besides The Godfather, Anti-Canon: Bottom Films Rated by RYMers 2014.

Phenomenal, Cosmo Vitelli and his world are brilliantly imagined and experienced. Gazzara meet's him halfway and gives his seemingly ordinary gambling junky facade, a plethora of dimensions that eventually transcend the movie itself. Rating reflects 1978 Director's cut, not original '76 cut. The Killing Of A Chinese Bookie. In terms of presentations this is easily the most disappointing one in the set.

Like an idiot I watched the director's cut with the extra scenes of those mindnumbingly dull "shows" Gazzara's character orchestrates at his strip club (and no, the fact that they're symbolic of Cassavetes's films doesn't make them any easier to sit through). This is the first, longer, and in some ways better of the two versions; it’s easier to follow, despite reports that — or maybe because — Cassavetes had less to do with the editing (though he certainly approved it). Don't use this space to complain about the average rating, chart position, genre voting, others' reviews or ratings, or errors on the page. As a thumbnail description, it works well enough: Once inside a Cassavetes film, there's no mistaking it for anywhere else. This is the first, longer, and in some ways better of the two versions; it’s easier to follow, despite reports that — or maybe because — Cassavetes had less to … Of course Cassavete's films don't always maintain their consistency, but their raw approach make each film infinitely more interesting, and he takes plenty of the same shit we dig about Mob flicks, and his slight twists ie amplifying the improv, the intimate yet live atmosphere, and various glimpses at the setting itself, over the usual one man vs the family storyline, make this one of Cassavete's best. "The Killing of a Chinese Bookie" is hard to get into at first due to its detached, abstract style, but if you stick with it, you'll find yourself really involved. My fault for not doing proper research so I'll rate/review the film based on the content *aside* from those ridiculous shows. Let me explain why the '76 cut is better. The dual-layer disc presents both the 1976 and 1978 versions of the film. No road to penance is immune from characteristics of it's surroundings, and that intimate claustrophobic Neon aura is ever-present  in Cassavete's lenses 25/9, even the daylight scenes are getting you prepared for it. Tonight: The Killing of a Chinese Bookie. The Killing Of A Chinese Bookie. In the mid-1970s, things were as different from now as night and day. Directed by John Cassavetes. A masterpiece of late nite desensitization of Paranoia and Existential dilemmas via the fucking Mob, I could quickly finish this off with Ben Gazzara is GOAT, but that wouldn't do this flick any textual justice. To rate, slide your finger across the stars from left to right. Movies You Missed: BIUL spotlights great films you probably overlooked. In terms of presentations this is easily the most disappointing one in the set. With fine performances by Timothy Agoglia Carey, Seymour Cassel, Azizi Johari, Meade Roberts, and Alice Friedland. Actually more a personal and deeply felt character study than a routine action picture, it follows the last days of Cosmo Vitelli (Ben Gazzara at his very best), the charismatic owner of an LA strip joint who recklessly gambles his way into such debt with the mob that he has to bump off a Chinese bookie to settle his accounts. John Cassavetes’ The Killing of a Chinese Bookie, the fourth film in Criterion’s John Cassavetes: Five Films box set, is presented on Blu-ray in the original aspect ratio of 1.85:1 in 1080p/24hz. The air and the sky seemed clearer, even though they were largely exhaust. borderline unwatchable, useless stuff tbh, The visuals alone are almost overwhelming, an orgiastic celebration of lights and colors, the poster on wikipedia is a lot better than this one, i love how seedy the burlesque show scenes are. The texture of everything was tougher, like cigar ashes and concrete. Likewise, don't respond to trollish comments; just report them and ignore them. cassavetes' style is so direct and assaultive that i can feel the crushing weight of his characters' sadness and drunken desperation as though it's my own. Like sometimes I might watch a classic and I might not like it, but can still appreciate that it may be influential or an important release. Once Cosmo begin's to deal with the mob, the whole vibe that Cassavetes painstakingly yet carelessly was messing with, beings to engulf the picture, and our psyche begins to be immersed with this unflinching authentic and believable method to Crime Cinema. my stars! This one I just couldn't admire at any angle. Votes are used to help determine the most interesting content on RYM. In many respects the film serves as a summation of Cassavetes’s view of what life is all about. Opening Night "Cassavetes is a place," Jon Voight remarks in A Constant Forge, a 2000 documentary that rounds out Five Films, a box set of movies directed by John Cassavetes. i love so many little scenes here; the purchasing of the hamburgers (". Title. I was super excited to finally track down this film on BFI Blu … PICTURE. (Music Box, Friday through Thursday, September 27 through October 3). John Cassavetes’ The Killing of a Chinese Bookie, the fourth film in Criterion’s John Cassavetes: Five Films box set, is presented on Blu-ray in the original aspect ratio of 1.85:1 in 1080p/24hz. 135 min. Peter Bogdanovich used Gazzara in a similar part in Saint Jack (1979), but as good as that film is, it doesn’t catch the exquisite warmth and delicacy of feeling of Cassavetes’s doom-ridden comedy-drama. you delicate flowers! From the Chicago Reader (September 27, 1991).

... shorter, and equally good version, which didn’t fare much better. "That's my friend in there. The Killing of a Chinese Bookie. you guys all act like mulholland drive is genius but oh, the penguin from batman singing off key while some girls don't take their clothes off is too much for you! So yeah, it's a brooding slow burner that maybe tries the viewer's patience at times but Cassavetes seems to know how to create a realistic yet slightly surreal atmosphere (this is the first film of his I've seen) and is greatly helped by Gazzara's understated yet effective performance. A proud strip club owner is forced to come to terms with himself as a man, when his gambling addiction gets him in hot water with the mob, who offer him only one alternative. that's especially true when the performances are as good as ben gazzara here, endlessly trying to bluff and charm and posture his way out of the shit. Keep your comments focused on the film. Post your favourite films by the director given above you.

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