marilyn monroe career facts

Their relationship soon became sexual and he proposed marriage, but Monroe refused. [267] Her publicity stunts often revolved around her clothing either being shockingly revealing or even malfunctioning,[268] such as when a shoulder strap of her dress snapped during a press conference. She was far from dumb, although she was not formally educated, and she was very sensitive about that. She also had to spend the life in an orphanage. Monroe was born on June 1, 1926, in Los Angeles, California. Her films grossed more than $200 million. Her comedic and dramatic appearance was spotted in Don’t Bother to Knock, Clash by Night, Monkey Business and As Young as You Feel. Camera, Laff, and Peek. In 1962, Monroe was dismissed from Something's Got to Give — co-starring Dean Martin — for missing so many days of filming. [257], From the beginning, Monroe played a significant part in the creation of her public image, and towards the end of her career exerted almost full control over it. Such a good actress that no one now believes she was anything but what she portrayed on screen. [29] In the summer of 1935, she briefly stayed with Grace and her husband Erwin "Doc" Goddard and two other families,[30] and in September, Grace placed her in the Los Angeles Orphans Home. In 1950, she had a nose job carried out. [8] Following the divorce, Gladys worked as a film negative cutter at Consolidated Film Industries. [257] Her roles were almost always chorus girls, secretaries, or models; occupations where "the woman is on show, there for the pleasure of men. [129] The cover image was a photograph taken of her at the Miss America Pageant parade in 1952, and the centerfold featured one of her 1949 nude photographs. "[176], Monroe also experienced other problems during the production. [16] They shared the house with lodgers, actors George and Maude Atkinson and their daughter, Nellie. She was a top-billed actress for only a decade, but her films grossed $200 million (equivalent to $2 billion in 2019) by the time of her death in 1962. [189], Monroe returned to Hollywood in July 1958 to act opposite Jack Lemmon and Tony Curtis in Billy Wilder's comedy on gender roles, Some Like It Hot. [191] The film's difficult production has since become "legendary". [271], Although Monroe's screen persona as a dim-witted but sexually attractive blonde was a carefully crafted act, audiences and film critics believed it to be her real personality. [183] She had an ectopic pregnancy in mid-1957, and a miscarriage a year later;[184] these problems were most likely linked to her endometriosis. [152] She replaced her old acting coach, Natasha Lytess, with Paula; the Strasbergs remained an important influence for the rest of her career. [89], Despite her newfound popularity as a sex symbol, Monroe also wished to show more of her acting range. I just hate to be a thing. I always thought symbols were those things you clash together! [57] In September 1946, she divorced Dougherty, who was against her having a career. [245], The Los Angeles County Coroners Office was assisted in their investigation by the Los Angeles Suicide Prevention Team, who had expert knowledge on suicide. [130] Her attempts to appear in films that would not focus on her as a pin-up had been thwarted by the studio head executive, Darryll F. Zanuck, who had a strong personal dislike of her and did not think she would earn the studio as much revenue in other types of roles. [77] In December 1950, Hyde was able to negotiate a seven-year contract for Monroe with 20th Century-Fox. [217] It has received more favorable reviews in the twenty-first century. [225], Monroe returned to the public eye in the spring of 1962; she received a "World Film Favorite" Golden Globe Award and began to shoot a film for Fox, Something's Got to Give, a remake of My Favorite Wife (1940). [210] Monroe and Miller's marriage was effectively over, and he began a new relationship with set photographer Inge Morath. It was there that she was first discovered by a photographer. Following her death, DiMaggio famously had red roses delivered to her crypt for the next 20 years. [70] Ladies of the Chorus was released the following month but was not a success. [103] Her dependence on her acting coaches—Natasha Lytess and then Paula Strasberg—also irritated directors. His J. Paul Getty Trust funds the J. Paul Getty Museum and other artistic endeavors. In 1937, a family friend and her husband, Grace and Doc Goddard, took care of Monroe for a few years. [9] The identity of Monroe's father is unknown, and she most often used Baker as her surname. In the film, Monroe falls for Gable's cowboy but battles him over the fate of some wild mustangs. Although they sometimes had casual sexual encounters, there is no evidence that their relationship was serious. [167], On June 29, Monroe and Miller were married at the Westchester County Court in White Plains, New York; two days later they had a Jewish ceremony at the home of Kay Brown, Miller's literary agent, in Waccabuc, New York. Martin declined to make the film without her, so the studio shelved the picture. The second is that she was fragile. In 1948, she secured the contract film with Columbia Pictures. [239] For Vogue, she and photographer Bert Stern collaborated for two series of photographs, one a standard fashion editorial and another of her posing nude, which were published posthumously with the title The Last Sitting. By the early 1960s, however, Monroe's professional and personal life seemed to be in turmoil following unsuccessful relationships. Monroe experienced two miscarriages and an ectopic pregnancy. [212] In August, filming was halted for her to spend a week in a hospital detox. [156] She had first been introduced to Miller by Elia Kazan in the early 1950s. On May 19, 1962, Monroe made her now-famous performance at John F. Kennedy's birthday celebration, singing "Happy Birthday, Mr. ", READ MORE: The Story Behind Marilyn Monroe’s 'Happy Birthday, Mr. President'. [31] The orphanage was "a model institution" and was described in positive terms by her peers, but Monroe felt abandoned. Monroe had three husbands in her lifetime: James Dougherty (1942-1946); Joe DiMaggio (1954) and Arthur Miller (1956-1961). [177] He also disliked the constant presence of Paula Strasberg, Monroe's acting coach, on set. Monroe's troubled private life received much attention.

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