joe pass influences

He experiments a lot with his sound, adding new guitar effects to his extensive pedalboard regularly. Freddie Green made an endorsement deal with Gretsch in October 1958. On this one, Larry changed the pickups to a matched pair of 1961 Gibson PAFs.

Excluding his very transient excursion into amplified guitar during the late 40s, Green stayed with his tried and true format of big, acoustic archtop guitars and never wavered from it again. The American side has plenty of headroom, both sides have access to a wonderful spring reverb unit. It’s this ‘natural’ chorus that Pat is after since he doesn’t like chorus coming out of a box. Are you wondering how to get a good jazz guitar tone? In his later years, Wes Montgomery played this Standel amp. He used 2 Hartley Thompson 100w amps (later 200w) with 4 Yamaha 4×12 cabs (Yamaha and Celestion GI2 speakers). Transistor amps are clean up to a certain point, and after that, they go into a horrendous type of distortion. George Benson used two 1965 Fender Twin Reverbs before his endorsement with Fender. I got a lot of my hit records with that guitar. I sold it in ’68 to buy a Les Paul. Keep in mind that Wes Montgomery played with his thumb rather than with a guitar pick and this is a major characteristic of his guitar sound. For rhythmic parts, he would use a thin pick.

Jim Hall owns a couple of Polytone Mini-Brute amps and uses them at local gigs.

Joe Pass used a Polytone Mini-Brute amp, a compact solid state amp with 110 watts going through a 12″ speaker. Yeah, you know it has so much what I call headroom that the transience just keeps going through even when you play softly… and when I play harder it doesn’t compress like a lot of the amps will stop a sound, it stays open. ADA Pitchtraq – a programmable pitch transposer and harmonizer. The action is set lower on the bass side.

Charlie Christian was a key figure in the evolution of the jazz guitar.

Guild George Benson Custom – Based on the George Barnes Acousti-Lectric. When he heard the tape the next day, he was surprised that his sound was there, no matter what guitar he played.

Paco De Lucia also plays Conde Hermanos guitars. The Emperor was the most expensive Epiphone guitar and was one of the guitars kept in production after Gibson bought Epiphone. George Benson bought his 1958 sunburst D’Angelico New Yorker (serial number 2049) for $1000 in 1968. Jim Hall’s guitar sound is often described as intimate, warm, mellow, and rich. The HF2 is semi-hollow, the Fatboy is completely hollow. The result is the Yamaha UD Stomp. il y a 12 ans | 264 vues. The Rivera is pictured on the cover of the album The Return (1987). Al Di Meola uses a Conde nylon-string guitar on recordings like World Sinfonia, Winter Nights, and Elegant Gypsy. Allan experimented with a Chapman Stick (one without bass strings). Pat’s earliest musical influences were Les Paul and Mary Ford, who were very popular in the 1950s. It was introduced in 1936 and was an enormous success in the jazz bands of that time because it produced enough volume to be heard. It’s a combination of a pick-up installed on the guitar and a floorboard. It’s the Lead One preset with various degrees of gain. Change ), You are commenting using your Twitter account. Fender Hot Rod Deluxe George Benson – for smaller gigs. John Scofield exclusively uses D’Addario strings. Black-built Jazzmaster with Seymour Duncan P-90. Jazz The political influence of the Turkish population of Germany is one of the parameters that should be evaluated, as long as interpretations of the ambivalence of Berlin regarding the Greek-Turkish tension are attempted, To Vima wrote. The guitar made by Bill DeLap is stringed with a LaBella .008 set. Rocktron Intelliflex – a multi-effects unit for guitar. Fender Original 150 Pure Nickels (010 to 0.38), but he replaces the high E-string with a 011. When I got home, I had the Gibson adjusted, but I’d been playing the Ibanez for a month and was used to it… and I’ve been playing it ever since. He was the owner of Grant Green’s D’Aquisto New Yorker and Wes Montgomery’s Gibson L-5 before he auctioned them off (Pat Metheny is now the owner of the L-5). Allan owned a blue Fender Stratocaster in the early years, one he got from a friend and which he used it for about 6 months. Some sources say that his guitar amps were modified so they had a better response time.

1980 D’Aquisto Sunburst Excel Archtop Electric Guitar. I studied many of the licks from Stevie Ray Vaughan.

The tuners are located at the tailpiece, the strings have a ball at both ends. Pat used it for the recording of Live at Yoshi’s (2001) and Think Tank (2003). Single output buffer/splitter, splitting mono signal to two amplifiers. This thinline, double-cutaway guitar has the body lines of the ES-335 and a rim depth of just around 1 3/4 inches. It has been his main guitar since 1981 and has played it for over 3 decades. Selmer style guitars are reproduced by luthiers like Michael Dunn and John Kinnard.

I don’t like feedback, and I don’t like thin sounds. There are also pictures of him playing a Fender Jaguar. Gibson L-7 – with a Charlie Christian pickup.


They are also precise and clear. The D-45 is built with the finest tonewoods and is one of the most decorated Martin guitars (More then 900 pieces of pearl are used on each guitar). The acoustic version of the Epiphone Emperor was available since 1936, in 1951 an electric version followed. Bill uses this guitar 90% of the time. 33.4% of them live in North Rhine-Westphalia, 17.3% in Baden-Württemberg, only 13.1% in Bavaria, followed by smaller groups in the other states. Small-body 1941 Martin guitar (used on Groove Elation and I Can See Your House From Here). Al Di Meola is an influential guitar player who blends different musical styles such as jazz, flamenco, and rock into his recognizable fusion sound. Takamine NP 65C (currently known as the P3FCN), Scofield’s nylon-string guitar of choice.

My biggest influence in phrasing would be Gary Moore and his approach into the Ballads. It is the guitar George Benson used to record the album Breezin’, which launched him commercially. When this thing came along, I was just like, I’ve been waiting for this all my life. Planet Waves 1mm picks, wrapped in double-sided tape to keep his grip. The Freeze instantly holds a sustained chord and I can play on top of it. Bill uses this amp on his album Guitar in the Space Age. The output of his Digitech preamp, just like the Acoustic 134, is connected to 2 Lexicon digital delays, one on his left at 14 ms and one on his right at 26 ms. Each delay has a slight pitch bend controlled by a VCO (sine wave), which makes his guitar sound chorused.

Pat says he never had any repair work done to the guitar, although it was falling apart. Over 20 years ago, Buster Williams, the bassist, turned me on to it, and I’ve never looked back.
One he used for his clean sound. The Selmer Maccaferri was the first guitar with a cutaway and a steel reinforced neck. Larry uses a Fender-style heavy pick.

D’Addario EXL115 Nickel Wound, Medium/Blues-Jazz Rock 11-49, D’Addario EJ16 Phosphor Bronze Acoustic Guitar Strings, Light, 12-53, D’Addario EJ21 Nickel Wound, Jazz Light, 12-52, D’Addario Duralin Standard – Super Light Duralin (.50mm). Change ), You are commenting using your Facebook account. The Abe Rivera Sceptre is a solid body guitar that was given to him by luthier Abe Rivera and was Pat’s main guitar in the 1990s. 1960 Gibson Les Paul – George Benson used a Gibson Les Paul with a Bigsby during his tour with the Jack McDuff Quartet in the 60s. The Gibson ES-175 was and is very popular amongst jazz musicians. On that tour, he is also seen playing a 1937-1939 Levin De Luxe, a Gretsch Electromatic 400, and a Gibson ES-300. Michel LOSTANLEN pratique la guitare jazz au sein de plusieurs petites formations, dans un style qui va du jazz traditionnel au be-bop, en passant par le swing et le jazz manouche. As for light, you’re going to have to sacrifice some tone for lightness. About a year later the guitar sounded pretty good and two years later sounded pretty much like the old Stromberg. If I need an amp, I just give him a call. That’s the amp that I used for the Steely Dan sessions and I don’t even remember why and how I’d brought the Tweed in, because I didn’t use it on any other sessions, only the Royal Scam, Aja, and Donald’s Nightfly album.

The Ibanez JP20 was discontinued in 1991 and suffers a reputation for a thin tone due to its pickup placement (too much in the middle, not close enough to the neck).

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