red camera

RED Camera Builder FAQs; Order Processing. , and then provides a look back at RED cameras all so that you can find the best RED cinema camera for your filmmaking needs. REDCODE RAW (.R3D) is a proprietary file format that employs wavelet compression to reduce the RAW data coming off the sensor. SCARLET shoots regular speeds of up to 30fps at 4K and up to 120 fps at 2k. The RED DSMC2 is the RED camera body and camera brain, which houses the image sensor and the advanced computing components. [1] Using an S35mm image plane, the RED ONE displays a natural depth of field from 2K to over 4K resolutions. Red Rocket is an internal PCI Express card that is capable of 4K, 2K, or 1080p real-time debayering and video playback of R3D files coming from Mysterium and Mysterium-X sensors. This means you’ll be required to purchase a power module or port expander to power the camera.

Compared to RED ROCKET, RED ROCKET-X processes and transcodes files up to five times faster. REDCINE-X PRO is a free-of-charge post-processing software collection developed by RED, built specifically for RED camera systems.

See the manufacturer site for details. Announced at NAB 2013 and launched in 2014, The RCP Development Kit is a SDK (software development kit) that allows programmers to create custom applications to control their camera via mobile device, computer, or micro-controller. It's cool, but also creates huge file sizes. This is the RED Xenomorph features the 6K Dragon sensor, but more importantly, the camera body has everything fully integrated including the wireless transmitter, on-board monitor, and wireless controls for the iris and focus rings so you can just attach a lens and go shoot. The RED ONE was RED Digital Cinema’s first production camera. … The RED Weapon 8K/6K was the original branding name the new RED sensors paired with the DSMC2 brain. The RED Dragon-X 5K is the smallest of all the sensors in the lineup and while it still produces 5K video like the Gemini sensor, it loses some of the vertical picture space due to the smaller physical sensor size. The 8K resolution will allow you to move in, crop, and focus on areas of your footage without loss of quality. It has an integrated timeline, coloring toolset, and post effects software that allows for non-destructive manipulation of raw .R3D files. Red stated sensors are their most important asset. Suddenly, you start to wonder who would win in a fight between a Dragon and an Epic but then you remember one is a mythical creature and the other is just a cool name for a really long poem. It can go as high as 60fps at 8K, but to shoot at higher frame rates you’ll have to sacrifice some of that 8K, but you still get 120fps at 4K and 240fps in 1080. That sentence sounds awful, but that’s because it’s an accurate layman summary of the RED Dragon sensor history over the past decade.
Some might find it a bit ostentatious, maybe even a bit tasteless, but I happen to think it’s a pretty cool looking camera. The Gemini has two shooting modes, one is standard mode with a native ISO of 800, and the other is low-light mode with a native ISO of 3200. ffMpegasset. RED Digital Cinema What you NEED to know about RED. If you’re trying to decide between the Dragon-X and the Gemini, I’d probably suggest you go ahead and spend the extra $5,000 and get the Gemini, mainly because you’ll have greater capabilities and your camera will be able to be used on a greater amount of projects. You’ll get every across-the-board advancement RED has made to their new sensors, and you’ll have hit that sweet spot with your camera budget. [citation needed], With the DSMC line HDRx was introduced as extension to Frame Summing asset; allowing the shooter to get up to 6 extra stops of dynamic range on a shot. One thing RED wants you to keep in mind is that their DSMC2 Brain does not have a DC IN power port.

[11]REDCINE-X was the first workflow software developed solely by Red. [9]The Red Dragon sensor is available within Epic and Scarlet camera systems. It captures up to 120 frames per second at 2K resolution and up to 30 frames per second at 4K resolution. The last difference in the DSMC2 vs the old RED bodies is the option to change lens mount. Required fields are marked *. All of these use either T2.8 or T2.9 aperture supported by different focal lengths. The following provides a full list of cameras and notable accessories manufactured under the Red Digital Cinema Company brand. Recently, RED camera did a big shake up with their cinema camera lineup. It came after the RED One, and originally featured the M-X sensor, but then offered the Dragon sensor, and you can now upgrade your Epic to the Helium and Gemini sensors. [citation needed] The Dragon sensor received a score of 101 DxO Mark sensor rating. The RED Weapon term still exists, and you can cameras for rent that say “weapon”, but RED no longer sells the RED Weapons, they now only sell the DSMC2 body/brain with the Monstro and Helium 8K sensors, or Gemini and Dragon-X 5K sensors. They have effectively discontinued their previous camera options and elected for much simpler options for body and sensors. Copyright © 1995-2020 eBay Inc. All Rights Reserved. Why would they name it “rocket”? An upgraded version known as RED One M-X was equipped with a 14-megapixel sensor was introduced in 2010. At the top of the range is RED Dragon, which offers higher dynamic range and a 6K sensor instead of the standard 5K. Some of this may seem obvious, but each “accessory” can be as expensive as a mirrorless camera body. Included is the T.H.C. The pro prime series uses a focal length of 18mm to 300mm. REDCINE was the first end-to-end workflow for RED users.

Besides Red One, which was the original version, DSMC, DSMC2, and a variety of other types of cameras have been released by the brand.
They have effectively discontinued their previous camera options and elected for much simpler options for body and sensors. DSMC2 cameras are modular and can be customised in various configurations. Compared to the RED One Mx and DSMC RED camera for sale, you will definitely get more power but you will need to buy separate components based on your individual preference. & General Upgrades May Start in the Next Few Months", http://digitalfilms.wordpress.com/2009/03/28/red-post-–-the-easy-way/, https://www.red.com/downloads/508ebcee17ef022b21000558, https://en.wikipedia.org/w/index.php?title=List_of_Red_Digital_Cinema_cameras&oldid=944006949, Short description is different from Wikidata, Articles with unsourced statements from October 2016, Creative Commons Attribution-ShareAlike License, This page was last edited on 5 March 2020, at 04:08.

DSMC2: This is considered the most powerful RED movie camera that the company actively supports. You can take that $5,000 and invest in much-needed accessories for your camera because they’re probably more important than that extra resolution, and you’ll ultimately save on lights and time as well. eBay has a range of Red movie cameras that you can find within your budget. The other big difference is basically that RED added their IPP2 (image processing pipeline 2) system to the old Dragon sensor, which means you’ll have greater control over your footage in post. Like REDCINE, RED offered it as an end-to-end workflow solution for Red customers. Differences to the former DSMC line are reduced size and weight, cable-less connections, as well as the addition of Apple ProRes and Avid DNx. - RED Digital Cinema Komodo Stormtrooper Camera + Accessories - Limited Edition, - Red Raven DMSC 2 II camera package full kit with accessories, - Red Scarlet-X Package - Low Hours - EF and PL, - Red Epic X  Mysterium 5K Super-35 Cinema Camera w PL mount & Ef mount brain only. It has the original Dragon sensor but with 4.5K resolution, a fixed EF mount, and was the beginning of REDs move into the DSMC2 brain. Een camera huren doe je bij Budgetcam cameraverhuur!

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