meet john doe alternate endings

The version shown on BBC TV in the UK was heavily cut. I’ve read elsewhere online that James Cameron was just one bad decision away from making terrible movies, and with the evidence of the next two entries, it’s a compelling argument.

Alternate endings often subtly change the meaning of a film, or cast a new light on characters’ back stories. I thought at least one of them would make it out alive after all we’d invested. All of these involved poor Jim dying. Written into the script, and only changed at the last minute, instead of our heroes Peter and Francine deciding not to kill themselves and instead fly off into the sky in a partially fuelled helicopter, they actually do commit suicide–Peter by shooting himself, and Francine by putting her head into the helicopter blades. Bonkers. This has Mike dying during the destructive fire and hotel manager Olin being the one to hear the recording, before ghost Mike reunites with his ghost daughter. Take James Cameron’s aquatic adventure The Abyss, for example – a film where a team of oil drillers and Navy SEALs attempt to salvage a crashed nuclear submarine and then discover aliens. In one, the film ended with John being disgraced at the John Doe Convention and Henry Connell saying, "Well, boys, you can chalk another one up to the Pontius Pilates." In this taut and excellent tale of financial skulduggery in the brokerage world (ha, these films and their crazy plots), the climax sees an FBI raid on the firm after Giovanni Ribisi’s Seth helps set them up in exchange for immunity from prosecution. The original, and in my opinion, superior ending to the 1980s Glenn Close/Michael Douglas bunny boiler classic, it sadly fell victim to negative test audiences, and in the style of so many ’80s films, had its bleak finale changed to something far more happy and positive. read more: The Battle to Make The Bourne Identity. Preview audiences found that version too depressing.

read more: Best Horror Movies on Amazon Prime. The scene is set for a triumphant victory for the Average Joes, only for White Goodman to spoil the party at the last second and win it for GloboGym.

Okay, so it’s not explicitly spelled out, but there’s no other conclusion you could possibly derive from this ending…. Goofs He stands and makes a fuss about knowing that he died without achieving anything. A bleak ending to a already bleak film, there remains much foreshadowing of their potential fate left in the movie, but perhaps Romero felt it would leave the audience feeling there was no hope at all for humanity? I kind of love the concept, and totally buy the idea that he’d wreck his chance of getting home, but it’s so bleak and out of place with the tone of the film–which is probably why it’s the alternate ending (although one that’s pretty wide-spread). The first is the one that we see, and the second is one where John Doe is killed by Somerset instead of Mills. Cut to them years later on the beach in Cancun with a son, Elvis, Alabama’s powerful final monologue, and Slater rocking an eye-patch. By using our Services or clicking I agree, you agree to our use of cookies. Director Hood explained the choosing of the ambiguous ending in the following way. Of course, Ash being Ash, he messes it up and wakes up in a future apocalypse overrun with Deadite hordes.

She tells him that it wouldn't be such a good idea to show it to David, saying "He wouldn't understand.". At the end of Gavin Hood’s brilliant Tsotsi, our eponymous lead ambiguously puts up his hands after surrendering the stolen baby and being surrounded by police. Instead, the plot was to follow the original musical, with Audrey II killing first Audrey and devouring her, and then eating Seymour too (pausing to spit out his glasses). Selena and Hannah then leave, with the hospital doors swinging behind them and an ominous fade to black. read more: The 10 Best Alfred Hitchcock Movies. In the original film, we see a shot of Mills's head with the gun to it, and John Doe's arm. In the original ending of this Hitchcock classic, Cary Grant’s Johnnie would indeed be revealed as the killer his wife (Joan Fontaine) had suspected him to be all along. The writer, Andrew Kevin Walker, completed two separate drafts of the ending. Having arguably helped kick-start the current cycle of superhero films, Blade theatrically ended with Wesley Snipes coolly kicking a needle filled with vampire poison (that’s its technical name) into the forehead of Stephen Dorff’s ultra bad vamp Deacon Frost, making him explode. The scene then focuses on a boy with blond hair and red eyes.
The late, great Tony Scott has left us with this classic amongst many others. Then you see the alternate ending, Gilliam’s original vision and one he fought tooth and nail to keep, even putting out a full page ad in Variety. Don’t make me regret ever picking you up. read more: Could Rocky Balboa Have Really Gone the Distance? An ending to debate over, this one. Backers who supported Tabletop at the $25,000 level were astonished to receive The alternate ending where John Doe gives Mills a cake and they celebrate their newfound friendship from Wil Wheaton himself. In the second alternate ending, designed to follow this, we see the girls being rescued from the cottage, except without Jim by their side. One of the most famous recent alternate endings, this had a much trumped new finale filmed and inserted on the suggestion of Steven Spielberg, which despite the hype, amounted to a cheap scare of a demon flying at the camera. In the Platinum Series DVD released by New Line on 12/19/2000, Mills has a line just as Somerset runs up to him in the climactic scene.

The end credits would then show the blades slowly shutting down, as the helicopter ran out of fuel, showing that they would have been doomed anyway. Cue Jim sacrificing himself and being left strapped to a table full of rage virus. USA laserdisc edition adds a few scenes deleted from theatrical release as a bonus at the end of the program, including: a prologue where Somerset (Morgan Freeman) is going to buy a country house. read more: You Should Be Thankful for X-Men Origins: Wolverine, The theatrical cut of Donnie Darko is an ace film, which leaves things unanswered in an entirely satisfactory way, as well as showing restraint in its often beautiful imagery. The version shown on BBC TV in the UK was heavily cut. read more: Alfred Hitchcock’s Rope and the Illusion of the Uninterrupted Take. Alternate endings are nothing new nor a product of film–Ernest Hemingway wrote an alternate ending to A Farewell to Arms (they all fight off a zombie plague in the end, then high-five), but it’s with film that you have the opportunity to actually see the alternatives or find out the most about them. An ending here which would have put a different spin on the entire trilogy, The Bourne Identity could have had an amazingly cheesy Hollywood ending where instead of sharing a quiet embrace after reuniting with Marie, Matt Damon‘s Bourne instead goes full on teen romance with a huge make-out session beneath a beach sunset and romantic backing track. Almost removed from the rest of the film, a heartbroken Chow goes to Angkor Wat to lay to rest the memories of his ephemeral affair with his neighbour Su Li-zhen. There is no quick flash of Gwyneth Paltrow's face before Mills shoots Doe, and only one shot to the head is fired. Too bleak, said the test audience. How I personally wish the film had ended this way. In this ending, Sam’s escape is all a product of his imagination – he will never be free of the Ministry, and is in fact declared a lost cause and left to rot in his chair. The line is supposed to be "What the f***'s he talking about?" In the Extended Cut, Salt escapes from the CIA and travels to Russia in order to blow up the sleeper agent training facility, and, seemingly murdering hundreds of children in the process…, read more: Best Movie Musicals of the 21st Century.

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